Khandit 4 (Khandit Series, panel of 5)

WORK STATEMENT

Aditya Sharma engages in a studio-based practice where his artworks merge experimental ceramic techniques with themes of myths and realities. His pieces blend symbolism and Indian mythology, creating narratives that celebrate the significance of deities and their native landscapes. Each artwork is imbued with a divine essence, reflecting the tranquillity of sacred sites. His artistic journey is deeply rooted in a personal engagement with Indian mythology, where he explores the grandeur of gods and their surroundings. Whether depicting the gods themselves or elements associated with them, his aim is to evoke a sense of divine aura. His work transcends any single religious narrative, instead offering symbolic representations that reflect the essence of various faiths and their teachings. Aditya's exploration of this subject began during a tour of South India, where he was captivated by the temple architecture and sculpture. This experience, coupled with the observation of cultural practices such as ocean worship, further fuelled his curiosity about the existence of gods. In his artistic expression, Aditya perceives gods as manifestations of energy, emphasising the interconnectedness of all things in the universe. He utilizes various mediums, predominantly clay, to create his works. Initially, he meticulously planned each piece with proper drawings and specifications for glazes due to the nature of his medium. However, he has since shifted towards a more intuitive process, allowing the clay itself to guide him towards mysterious outcomes. Aditya incorporates textures to evoke an earthy feel, often using coloured clays and oxide paints instead of glazes, though the latter still play a vital role in some works. He enjoys experimenting with fabrication techniques and often combines mediums such as bronze, wood, and cement, drawing from his background in sculpture. He is mindful of the compatibility of these mediums to ensure a harmonious integration into his artworks.